When a Journalism Project Goes Terribly Wrong, by Mary Evans

Mary Evans is a junior at Manhattanville College. This is her final paper for my journalism class.

The story of my first traumatic experience as a journalist starts off not unlike any other Thursday evening. I walk into my Journalism II class in the not-so-enthused way most college kids entire their night classes.

However, this day is different, and I’m slightly interested. Today is the day we are assigned topics for our final article. It is what Jeff Pearlman, our high-spirited and unconventional professor, refers to as “The final draft.”

The students file in one by one and take our seats around the oval table in the classroom. Pearlman remains standing, encouraging us (in an almost pestering way) to take whatever
snack he has brought in on this day. He looks even more excited than usual, and we anticipate just what is in store.

Mary Evans

He explains that we will each select a number from a hat, ranging from 1-12. Whoever picks the lucky number one will get first choice from a list of interesting people to interview for our final profile. He writes down the list of available candidates on the whiteboard at the front of the classroom, and we begin the draft. I, as I will remind you later on, have a terrible memory, so I do not remember the exact number I drew although it was somewhere in the middle.

After a few of my top picks were selected by those who drew higher than me, I approached the list of remaining choices apprehensively when it was my turn. I knew that I had to choose wisely because this had not been my best semester in terms of academic performance, and this assignment was my last chance to prove to myself and my professor that I had the skills it took to be a good journalist.

I thought long and hard about which person I found most interesting and would make for a
great story. I finally decided on Randy Jones, the cowboy and founding member of the 1970s disco group, The Village People. I figured he had to be interesting, and it would make for a great piece.

I left class that day feeling good about myself, and excited about the assignment. I had never interviewed anyone like Randy and knew it would turn out to be a good experience and give me a chance to redeem myself.

Although we were given three weeks to complete the assignment I was determined to be
proactive and not procrastinate. I wanted to hand in my article knowing I worked as hard as I could. I went to my room, sent out the e-mail letting him know when I was available to
do the interview, and began my research.

When Randy finally responded two weeks had gone by. He informed me that he had been out of town and that I should send him my questions and afterward we would set up a phone interview. “OK,” I thought. “I still have a week. I can surely do my best work in a week.”

I sent my initial questions and waited a few days for a response. It didn’t come. This time my procrastination was not my own doing. Maybe it was bad luck, maybe it was bad timing, or maybe—a part of me felt—it was some sort of karma for all of the times I had put an assignment off until the last minute.

I sent out another e-mail explaining my situation to Randy and urging him to respond promptly. I felt as if I were nagging. I pictured myself in his shoes with bigger priorities than a journalism student and her measly article.

He finally emailed me back. One day … 24 hours … or, as my anxiety-filled brain looked at it, 1440 minutes before the article was due.

His response read as follows: “Please e-mail me your mobile number and I will call when I am out of rehearsal about 6:30 p.m.”

I looked at the time—5:14. I was nervous and, in my own eyesm unprepared. I went through my research and the questions I wished to ask him for the next hour as I awaited the call. This was my first phone interview, and I didn’t want to sound unprofessional. I practiced what I would say out loud to myself. “Hello Randy, first off I’d like to thank you for being available on such short notice.”

No. “Hi, Mr. Jones, yes, this is Mary.” Definitely no. “Yes, this is her, glad to finally get
you on the phone.”

You get the point.

After what seemed like years my phone finally rang. Hesitantly, I answered it. I put my always trustworthy cellular device on speakerphone and pressed record on my laptop. The rest came naturally. I asked whatever questions I had, and then some. We spoke for a couple of hours, and I was comfortable. Why, for a good deal of the time I found myself laughing at the awesome and real responses I was getting out of Randy. The interview went well. He even asked me for the recorded copy for his archives, a request I gladly agreed to.

Looking back, I found it humorous that I was ever nervous in the first place. I went to bed that night feeling confident; ready to tackle the assignment in the morning. Look out journalism world, there’s a new sheriff in town! And she’s ready to capture this cowboy!

The next morning I woke up, made a fresh pot of coffee and sat down at my desk. I pulled up the interview on my laptop and plugged in my headphones, ready to transcribe the interview. I pressed play on the voice recorder app, but something went wrong. My voice, and then his, came through the headphones incoherently. We sounded like if Darth Vadar and The Terminator had a love child, and his voice was recorded and put through a voice changer in slow motion.

OK, The Terminator-love child thing may be a slight exaggeration (as well as a sensitive topic for some) but my situation wasn’t good. I couldn’t make out a single word of the interview. Our voices were so distorted and sounded so odd that under any other circumstance it would’ve had me in an uncontrollable fit of laughter. Instead I wanted
to cry.
I remained as calm as one can given the situation. I thought, optimistically, that maybe it was just my crappy laptop going through one of its monthly malfunctions. I emailed Pearlman and gave him a general idea of what had happened. He reassured me that it was going to be all right, one way or another, though at this point I couldn’t see how.

In one last attempt to fix the situation I converted what I had recorded from my computer to my phone. This took a good half hour because my laptop is a little slow. It was
probably just the computer, I reassured myself.

To calm my growing anxiety I put my headphones in and put the Beatles on shuffle. Something about those four loveable English men always lightens my mood. But even they couldn’t help me; “Don’t let me down, Mary, don’t let me down”. I pictured my professor and Randy Jones singing these words to me as I stood before them with a blank sheet of paper and no interview.

Just before my thoughts could manifest themselves into anything else I looked at my
computer and noticed the sync was complete. It was the moment of truth. I pressed pause on the Pearlman Jones Beatles cover and pulled up the interview on my phone. As The Terminator voice played through my speaker in slow motion my heart dropped in the same way.

Unsure of what to do I took a deep breath and decided to e-mail Pearlman again and explain that the interview was as good as lost. While I was doing this all I could think is that my last chance to prove myself as a journalist to my professor and to myself was ruined. Defeated, I dropped into the chair at my desk as the words of Randy Jones began to echo through my head: I need a copy of the interview for my archives. Copy. Archives. Copy. Interview for my archives. You’re a terrible journalist.

Of course, his voice came to me in the Terminator-Darth Vader one I don’t think I’ll
ever be able to shake.

I sat frozen for a few minutes. We all know the feeling. So overwhelmed that nothing around you matters. I begin laughing, but not in the fun-soul-lifting-calorie-burning way. I sounded more like a dying hyena frying in the sun. It seems crazy but, if you’ve ever experienced a situation like this, you’ll know that for the moment, you are crazy.

Think, I told myself. “Just think.” Two whole hours of interview—gone. “But I remember it, right?” I asked myself out loud. “You can do this, Mare, you can do this. Just write what you remember”

“YOU CAN’T DO THIS!” I yelled again. “You have the memory of an amnesiac dog.”

“OK,” my voice is calm again, “relax you psychopath.”

Temporary schizophrenic rage aside, second me was right. The only way out of this journalist nightmare was to relax, take a deep breathe, and try the Beatles once more. Then I’d know what to do.

I let out one last ugly laugh, fell backward onto my bed and placed my headphones back in my ears. Closing my eyes I tried to forget about my situation. I found, with a sigh, that it was an inescapable one. “Yesterday, all my troubles seemed so far away, now it looks as though they’re here to stay.” Paul was right—they were here to stay.

The moment I started talking to Paul McCartney like he’s some sort of God, that’s when I knew I needed to snap out of it. I was in a situation no amount of angelic harmonization could help. I ripped the headphones out of my ears and threw my iPod onto the windowsill beside my bed. I jumped out of bed, I gave my laptop one last dirty look before rushing out of my room.

Whenever I’m in a writing-major induced insanity phase, I always find it’s better to get some fresh air. I sat on the quad for a good half hour with some friends. I felt better temporarily but found myself too distracted by what had happened to participate or even listen to any of the conversation around me. So I decided to go back inside.

In my room I picked up my phone from the desk and saw an e-mail from Pearlman. In the e-mail he offered two options. The first was to write the article to the best of my ability without the interview, and the second was to write a piece on how a simple assignment turned into a disaster.

I breathed a sigh of relief and sit down at my computer. Calm for the first time since I woke up this morning, I begin writing. And that’s where I am now. No Randy Jones article, no interview for his archives, and, frankly, with nothing else to say on the matter except what I learned from the whole experience.

Not everything is going to go as planned, there are always going to be hopeless
situations that don’t work out, and at times you’re going to feel like you have failed. That’s life, especially for a journalist. This will always be true, but I also realized that in any predicament—no matter how crappy—there will always be something good that comes from it.

Like a life lesson, for example, or an over-dramatized lighthearted story. Sometimes, in the words of my favorite four, you just have to let it be.

The Quaz Q&A: Erin Cronican

* Welcome to the 101st installment of The Quaz Q&A. This feature—a question-and-answer session with a person from sports/entertainment/politics/whatever—will appear every week on jeffpearlman.com. If you have any suggestions/ideas for people to speak with, hit me up at anngold22@gmail.com. I’m listening.

There’s busy.

There’s really busy.

There’s crazy busy.

There’s insanely busy.

And then, lastly, there’s Erin Cronican busy.

Erin is a New York City-based actress. And singer. And writer. And teacher. And blogger. Rumor has it she also finds time to eat, sleep and, on occasion, go to the bathroom. Throughout her career, she has appeared in myriad films, plays and TV programs, ranging from One Life to Live and Veronica Mars to Writer’s Block and Peace Aqua. She also runs The Actors’ Enterprise, a coaching service for actors.

Here, in the 101st Quaz (welcome to the new century), Erin talks about making herself cry and making herself great; what it’s like to attend an audition and what it’s like to fart on stage. One can follow Erin on Twitter here, and visit her website here.

Erin Cronican, welcome to the Quaz …

JEFF PEARLMAN: Are you a great actor? (I love this question, because it’s weird and awkward and, possibly, uncomfortable). So, really, Erin, are you a great actor? Great, in the way we think of Dustin Hoffman and Merrill Streep and a select others?  Why or why not?

ERIN CRONICAN: Wow. You did it. You’ve managed to make me nervous right out of the gate. I’ll answer anyway, because I think it’s a pretty awesome question.

Yes, I think I am a great actor. And here’s why: Not because I’m better than anyone else—there are lots and lots of actors are are more compelling, more bankable, more confident, less neurotic, less sensitive, etc … etc … etc. But, because a great actor is always learning, growing and changing. A great actor makes lots of mistakes, and forgives him/herself while making them. A great actor shows others what it means to be human, and reflects life back to them in a way they can relate to. That is something that I excel at.

J.P.: I’ve never asked this of an actor, so I will now. How hard is it to make yourself cry? What’s the secret? And can anyone, with practice, do it?

E.C.: If you don’t feel like crying, it’s impossible to cry on demand. Even if you want to cry, it doesn’t always work the way you want it to. Conversely, I want to cry all the time when I’m not supposed to. Call it the Murphy’s Law of Acting.

As an actor, you have to create circumstances in a scene that will make crying possible without requiring it to be there. Right now I’m doing a production of “Love Song,” and at the end of the play I have to say a sad goodbye. Usually, all I have to do if I want to cry is relax my body (which will let the tears come, if they’re there), and focus on what my character’s wants and needs are in the scene. If I actively try to get what I want (to stay with my lover), and if my scene partner is also going after what he wants (to let me go), I’ll have a real difficulty getting and it will become a sad situation.

Or, you know, staring into a very bright light or the sun will do it. Or chopping up an onion and getting reeeeaaaaal close to it. :)

J.P.: You have your own company, The Actors Enterprise, which helps actors develop their careers. A. How and why did this happen? B. (And I don’t mean this even remotely insultingly) What makes you qualified?

E.C.: How DARE you! (pushes over table)

Right out of college (Pepperdine), I moved back to my home town of San Diego and started working for an entrepreneur who was passionate about owning advertising publications (he owned franchises of the Auto Trader and Business Locator magazines, and a territory for Money Mailer coupons, to name a few.) I cut my teeth on advertising, sales and marketing by teaching small businesses how to use our publications to get the word out about their products/services. This turned out to be exactly what we do as actors.

When I got my Actors’ Equity card (union for theater actors) I decided to leave the corporate world to focus on acting. I started my first business as a audition/career coach for high school kids who were prepping for college. Pretty soon thereafter I realized that I didn’t really like working with kids as much as the job required (eek), so shortly thereafter I took a part time job at a small non-profit service organization called the Actors Alliance of San Diego, as the director of communications and member services. This helped me to serve the entire acting community rather than focusing on people individually, and also taught me how to run a business.

I moved to New York in 2005 and spent 1 1/2 years figuring out how my skills could be of service to New York actors. I found that what was missing was personalized career coaching that was affordable by an actor who was still in the thick of things. I suffer the same ills as other actors, but I’m also a producer so I can speak from both sides of the table. I started The Actors’ Enterprise in 2007 and have, since, coached nearly 300 actors in the areas of marketing, business management, audition/interview technique and design.

J.P.: Through the years I’ve had a bunch of meetings with Hollywood types in regards to turning some of my books into movies. I’m generally struck by the bullshit nonsense of it all. Everyone loves everything; everything is definitely gonna happen; so-and-so will call you tomorrow. Then—nothing. Nada. Am I wrong in thinking much of your profession is vapid nonsense put on by vapid people?

E.C.: No, you’re not wrong—a lot of people are like that. But I also think that the industry is built on dreamers—people who talk a big game but don’t have the power, persistence or moxie to make that dream happen. A actor friend of mine used to joke that he’s never been in a show that wasn’t going to Broadway, and yet he’s never been on Broadway. Meaning, everyone talks a big game and it rarely ever happens. I have a small hope that by being an accountable, genuine person I can do my part to combat that issue. Wanna help me with that? :)

J.P.: You’re from San Diego, you went to Pepperdine. Got it. But how did you start acting? Like, literally, what got you into it? When did you discover the love? And what was your first break? Your first big break?

E.C.: My first break? Playing The Gander in “Charlotte’s Web” in fifth grade at our local youth theater. I was just so excited to be applauded for being able to memorize things. My first big break would probably be considered a speaking role on TV, which was “Veronica Mars.” But probably my biggest acclaim, where people started to take real notice of me, was this past summer when I starred in an Off-Broadway production of “Danny and the Deep Blue Sea.”

The love of creating art first came in seventh grade, when my school choir did a scaled-down production of “A Midsummer Night’s Dream,” in which we incorporated the music that Mendelssohn wrote to Shakespeare’s lyrics. I think it was the first time I saw art combined to created something completely new, and I was hooked.

J.P.: What’s it like when you know you’re involved in a shit project? Like, you’re getting paid, you’re happy to be there—but, odds are, the ultimate show/movie/play will suck? And how do you deal?

E.C.: When that happens, I just want to get through it as quickly as possible, with the least amount of effort needed to do a good, professional job. I also do my best to make some friends, because you need to have some levity and support on a project like that. And usually, the connections made are deeper than other projects because you have to bond together to make things bearable.

J.P.: You were “Palace Maid No. 1,” “Maid” and “Social Worker” on One Life to Live. I’m not a huge soaps guy, but they fascinate me nonetheless. How did that come about? What’s it like working on a soap? And is there a certain wink-wink, nudge-nudge among the actors? Like, a realization and acknowledgement that it’s all a bit silly?

E.C.: Don’t forget, I also played “Stylist.” :)

It’s funny—one day, an actor asked the casting director from “One Life to Live” if they would consider casting actors in a bigger role in they played a smaller one in previous episodes. She said, “Ummm… we have storylines where people come back from the dead, and go back in time. I think that re-using an actor is probably going to be fine.”

I got the first gig, which was three days of work as “Palace Maid #1″, by phone call. I had met the casting director in a class she taught about three months before that. They were looking for Aryan-looking types who could play palace servants in a fictitious European country. She made the offer over the phone. What she did not mention was that I would have to come up with a non-identifiable European accent that sort of sounds German/Slavic/Nordic.

For your viewing pleasure, I combined together some clips from my stint on the show.

J.P.: What does it feel like to absolutely, positively fuck up on stage? I’m REALLY fascinated by this. Surely, you have a story—freezing, forgetting lines, etc. Please tell. And, really, what is it like in the moment?

E.C.: It feels like death that will never end. Seriously. One time, during our production of “Danny and the Deep Blue Sea” we got so lost in a scene that I just knelt down by my scene partner and whispered, “Help!” There was nothing in my brain except this vacuous silence. Those moments are terrifying, especially when there are reviewers in the audience and you’re doing a well known play—you’re mostly worried about getting a terrible write-up because of missing key dialogue.

What’s fascinating is that the audience rarely knows that the fuck up has happened. Usually, I know the situation of the play (or film) well enough that if I royally fuck up, I can make something up until I get back to where the lines are. In my theater company, we work a lot with “physical activities”—making sure we know our environment and what we would normally be doing in that environment on any given day. That way, if a line goes out of our heads, we’re still living in the moment and can live out the scene physically until the lines come back.

J.P.: Why do you think we humans go soooooo crazy for actors and actresses? What I mean is—I probably saw 10 firemen in New York City today. These guys, literally, climb through flames to rescue people. I’d never think of asking for an autograph. However, if I see, say, Backdraft star Kurt Russell, I get excited—even though he had a stunt double. Why do we care? What’s the big deal?

E.C.: I think this is because they see celebrities live on stage or screen and feel like they know them. They’re relatable, kind of like a long lost friend. Add to that the celebrity—the fact that everyone knows who they are—and it becomes fashionable to meet them. Add to that the beauty and wealth of these famous people—it’s USA’s royalty.

And the celebrities feed that fire. Because if someone has a huge fan base, that translates into sales at the box office which translates to higher salaries. So celebrities eat up the rabid fandom.

J.P.: What does it feel like to go on an audition? Are you nervous? Excited? Do you assume you have no shot? Do you assume you’re gonna nail it?

E.C.: It depends on how far along in the audition process that I’m in. In the early rounds I’m rarely nervous, but the closer I get to booking the job the more nervous I get. Nerves are especially problematic when auditioning for musicals, because nerves create all kinds of physical problems in the singing voice. The throat gets all tense, and then everything is 10 times more difficult to do. And then you feel like an asshole because you sounded so much better in your living room.

I pretty much assume that I have no shot for the particular job I’m auditioning for—there are too many things that go into casting that an actor has no control over. However, I strongly believe that I have a shot at getting cast in a future project off the current audition. If I bring an authentic performance with strong choices and a point of view (as in, this is the story I want to tell with this character, and is what you can expect from me in performance) then I’ll have created a bond with the casting director that should have a lasting effect.

QUAZ EXPRESS WITH ERIN CRONICAN:

• Ever thought you were about to die in a place crash? If so, what do you recall?: Not really—but I get pretty scared when flying sometimes, so I always have visions of mangled bodies hitting the ground. And then I order a drink.

• Rank in order (favorite to least): Elton Brand, Dee Lite, Budweiser, Garry Templeton, Idaho State University, Peggy Sue Got Married, the Footloose remake, PaperMate pens, Corn Flakes, Keanu Reeves, six-day-old snow, The Gap, Santana Moss, Cuban Missile Crisis, Paul Tsongas: Dee Lite, Garry Templeton, Papermate pens, Corn Flakes, Peggy Sue Got Married, The Gap, Keanu Reeves, Paul Tsongas, six-day-old snow, the Footloose remake,  Budweiser, Cuban Missile Crisis … and then the ones I don’t know well enough without looking them up are Idaho State University, Elton Brand, Santana Moss.

• Three greatest actresses of your lifetime?: Cate Blanchett, Audra McDonald, Melissa Leo.

• How many times would you say—just guessing—you’ve broken wind while acting or singing in front of an audience?: Singing it’s a little tricky (disrupts control of your abdomen!), but plenty of times as an actor.

• Would you be willing to spend 30 minutes licking a random New York City sidewalk if it meant landing a key role in an upcoming Harrison Ford film?: No way. I’ll make my own way, thank you.

• What’s the most common mistake made by young actors?: Believing that if you have talent, that’s enough.

• What movie have you watched the most in your life? What’s your favorite line from it?: “Spaceballs.”  My god, a favorite line? Too many to list. The first that came into my head was, “I am your father’s brother’s nephew’s cousin’s former roommate.” “So what’s that make us?” “Nothing, which is what you are about to become. Prepare to die.”  … which leads to a favorite moment in the movie when a film crew member gets slashed by Dark Helmet’s light saber.

• Well, you’re friends with Will Ohman, who you met while y’all were at Pepperdine. How about a Will Ohman story?: Would you believe this? Some random person entered that onto IMDB. I don’t actually know Will—but I thought it was cool enough to keep it up there anyway.

• If everyone describes themselves as “award winning,” does “award winning” mean anything?: Good point. I never really thought of it that way. I would guess most of us, even if only as children, have won something. I won the Invention Convention in sixth grade after inventing a parent-child morality/ethics game called, “It’s Never Too Late To Learn.” Maybe I should call myself an award-winning inventor.

• Celine Dion calls. She wants you to play “Little Celine” in her Las Vegas production of “I Sing the Song of Midgets.” You’ll get paid $3 million over two years, but you have to perform 360 nights per year, on your knees, in a Canadian accent while being kicked in the head by Herman, her per goat. You in?: If Herman is wearing soft shoes, I’m in.

QUAZ DATABASE:

Quaz 1: Wendy Hagen (Former child actress, The Wonder Years)
Quaz 2: Chris Burgess (Professional basketball player)
Quaz 3: Tommy Shaw (Singer/guitarist, Styx)
Quaz 4: Russ Ortiz (Former Major League pitcher)
Quaz 5: Don McPherson (Former NFL quarterback, feminist)
Quaz 6: Frank Zaccheo (MS activist)
Quaz 7: Geoff Rodkey (Daddy Daycare screenwriter, author)
Quaz 8: Meeno Peluce (Former child actor, Voyagers!) 
Quaz 9: Karl Mecklenburg (Former NFL linebacker)
Quaz 10: Amra-Faye Wright (Actress, Chicago)
Quaz 11: Phil Nevin (Former Major League slugger)
Quaz 12: Jemele Hill (Columnist and commentator, ESPN)
Quaz 13: Drew Snyder (Christian Minister)
Quaz 14: Roy Smalley (Former Major League shortstop)
Quaz 15: Michael Shermer (Professional skeptic)
Quaz 16: Kathy Wagner (Actress)
Quaz 17: Travis Warren (Lead singer, Blind Melon)
Quaz 18: Scott Barnhardt (Broadway actor from The Book of Mormon)
Quaz 19: Chris Jones (Writer/Author)
Quaz 20: Cindi Avila (Celebrity chef)
Quaz 21: Crystal McKellar (Former Wonder Years actress, attorney)
Quaz 22: Dan Riehl (Conservative blogger)
Quaz 23: Prime Minister Pete Nice (Rapper, baseball historian)
Quaz 24: Glen Graham (Drummer, Blind Melon)
Quaz 25: Dave Coverly (Nationally syndicated cartoonist)
Quaz 26: Marie Te Hapuku (Opera standout)
Quaz 27: Christian Delcroix (Broadway actor)
Quaz 28: Jack McDowell (Former Major League pitcher)
Quaz 29: Jake Black (Comic book writer, cancer survivor)
Quaz 30: Brian Johnson (Major League scout, former Giants catcher)
Quaz 31: Craig Salstein (Soloist, American Ballet Theatre)
Quaz 32: John Herzfeld (Hollywood director)
Quaz 33: Jenny DeMilo (Professional escort/erotic specialist)
Quaz 34: Tina Thompson (Longtime WNBA star)
Quaz 35: Seth Davis (Sports Illustrated writer, CBS basketball analyst)
Quaz 36: Dave Fleming (Former Major League pitcher)
Quaz 37: Mike Sharp (Former world-class cyclist, accident victim)
Quaz 38: Kathleen Osgood (Blogger, cancer survivor)
Quaz 39: Gabriel Aldort (Street musician, New York City)
Quaz 40: Lennie Friedman (Former NFL offensive lineman)
Quaz 41: Rick Arzt (Lead singer, Love Seed Mama Jump)
Quaz 42: Sean Salisbury (Former NFL QB and commentator)
Quaz 43: Mac Lethal (Rapper)
Quaz 44: Cord McCoy (Professional Rodeo star)
Quaz 45: Cameron Mills (Pastor, former Kentucky basketball star)
Quaz 46: Jim Abbott (One-handed former Major League pitcher)
Quaz 47: Alison Cimmet (Broadway and commercial actress)
Quaz 48: Linda Ensor (Tea Party activist)
Quaz 49: L.Z. Granderson (ESPN and CNN columnist)
Quaz 50: Gina Girolamo (Television executive)
Quaz 51: Lenny Krayzelburg (Former Olympic swimmer)
Quaz 52: Shawn Green (Former Major League All-Star)
Quaz 53: Ashley Poole (Singer, former member of Dream)
Quaz 54: Scott Jurek (World-class ultra-runner)
Quaz 55: Rocky Suhayda (Leader, National KKK Party)
Quaz 56: Liz Scott (Executive director, Alex’s Lemonade Stand)
Quaz 57: Lindsay McCormick (Sports television personality)
Quaz 58: Jack McCallum (Author, “Dream Team.”)
Quaz 59: Nelson Dellis (Two-time U.S. Memory Champ)
Quaz 60: Wayne Wilentz (Jazz musician)
Quaz 61: Bev Oden (Olympic volleyball player)
Quaz 62: Amy Hastings (Olympic runner)
Quaz 63: Drew Magary (Writer)
Quaz 64: Shannon Bex (Singer, former Danity Kane member)
Quaz 65: Adam Schefter (ESPN NFL Insider)
Quaz 66: John Oates (Hall & Oates)
Quaz 67: Brandon Steiner (Sports memorabilia guru)
Quaz 68: Steve James (Director, Hoop Dreams and Head Games)
Quaz 69: Doug Glanville (Former Major League outfielder; ESPN analyst)
Quaz 70: Nathan Osmond (Country singer)
Quaz 71: Daniel Okrent (Journalist)
Quaz 72: Dmitriy Salita (Boxer)
Quaz 73: C.J. Nitkowski (Major League pitcher)
Quaz 74: Dawn Neufeld (TV Personality; NFL Wife)
Quaz 75: John Wesley Harding (Singer, Author)
Quaz 76: DJ White Owl (Rapper, DJ)
Quaz 77: Dirk Hayhurst (Baseball player, author)
Quaz 78: Marty Appel (Former Yankees PR Director, author)
Quaz 79: Lisa Edwards (Famed Dog Trainer)
Quaz 80: Fred Claire (Former Los Angeles Dodgers GM)
Quaz 81: Paul Ercolino (Gun Control Activist)
Quaz 82: Amy Freeze (ABC Meteorologist, on-air personality)
Quaz 83: Tom Verducci (Sports Illustrated baseball writer)
Quaz 84: Dirk Blocker (Character actor, Little House standout)
Quaz 85: John Backderf (Cartoonist, author)
Quaz 86: Brittanie Weaver (Model, actress)
Quaz 87: Jim Colletto (Retired NFL and college football coach)
Quaz 88: Skee-Lo (Rapper)
Quaz 89: Ryan Semple (Olympic Skier)
Quaz 90: Tatiana Thumbtzen (Model, Michael Jackson Muse)
Quaz 91: Pete Babcock (Former NBA General Manager)
Quaz 92: Katie Hnida (Kicker/Pioneer/Motivational Speaker)
Quaz 93: Eric Hutchinson (Singer/Songwriter)
Quaz 94: Alexcia James (Miss Black Iowa)
Quaz 95: Bruce Kulick (Former KISS guitarist)
Quaz 96: Kevin Mench (Former MLB slugger)
Quaz 97: Ron Shaich (Panera Bread Founder)
Quaz 98: Jenn Sterger (Actress)
Quaz 99: Wendel Meldrum (Actress, Miss White on Wonder Years)
Quaz 100: Adrian Dessi (ALS Sufferer, Role Model)
Quaz 101: Erin Cronican (Actor, Acting Coach)

Prickett

About an hour ago the wife and I completed our first segment of the Insanity workout videos.

It will likely be my last.

At age 41, my body sucks. I’m actually in pretty good shape, courtesy of an improved diet, the elimination of soda and five days per week at the gym. But, thanks to a bad lower back, there are certain things I can no longer do—distance running and high-impact fitness routines at the top of the list. So, while I enjoyed doing Insanity, I now have a shooting pain down my left leg. Bummer.

Alas, while Insanity won’t add much to my life, it did offer up a wonderful flashback. As I huffed and puffed midway through the video, my mind drifted to the den in my boyhood home in Mahopac, N.Y. When I was a young teen, my mother used to regularly watch a fitness TV show, It Figures with Charlene Prickett.

This was in the mid-80s, a little before Jane Fonda’s heyday as a Spandex queen, and Prickett was sort of a huge presence in our house. She wasn’t an overwhelming dynamic or attractive woman, but she was always on, always positive and always willing to guide middle-aged women through 30 minutes of exercise. Mom became quite the regular.

So, for that matter, did I. I can’t recall how this started, but before long Mom and I would stand side by side in front of the TV and follow Charlene through jumping jacks and sprints and push-ups. I vividly (and joyfully) recall Mom and I running through the house when Charlene offered 60 seconds of “independent time.” Did I particularly care about Charlene, or getting in tip-top shape, or tightening my buns and perking up my breasts? Uh … no.

But, for me, it was golden solo time with the woman who raised me, and who I considered (perhaps oddly) a mom, a role model and a friend. My mother was always different than the other Mahopac moms. First, she was tough as nails, having been a longtime probation officer. Second, she was uniquely understanding. Third, she never had a daughter, and sort of had me fill that role in myriad ways (Prickett, going shopping, asking for my take on outfits she bought for herself). My mom rarely got mad at me, and—if the moment was appropriate—allowed me to curse and bitch at will. We used to take long walks around the neighborhood, and they were an education on life and, as I recall, how not to take shit. We had—and have—a true kinship.

Anyhow, the Prickett sessions lasted for two or three years, until her show was cancelled and more sophisticated exercise experts filled the landscape. Apparently she lives in Canada, still alive and kicking and peddling tapes.

Whatever the case, she’ll always have a warm spot in my heart, because she gave me time with my mother.

Nobody Wants to Hear You Brag

This post is titled Nobody Wants to Hear You Brag for the simple reason that nobody wants to hear you brag.

I suppose, first and foremost, this is yet another lesson for young writers trying to land jobs. I repeat: Nobody wants to hear you brag. We don’t care that you revolutionized journalism at Syracuse’s student newspaper. We don’t care that you were the best writer there. We certainly don’t care that you think Peter King is overrated or Bill Simmons sucks or you can be doing an 800-times better job than Joe Posnanski or Jon Wertheim or David Maraniss.

Nobody wants to hear that shit.

I used to brag. I thought I was hot shit; thought it’d impress people; thought—by touting my own amazing, dazzling, born-to-be-a-superstar skills—that I was helping myself and my career goals.

No, no, no, no, no.

Bragging sucks. It’s ugly and, even worse, transparent. People who brag all the time aren’t saying, “I’m awesome!” They’re saying, “I’m not comfortable enough with my work to let it speak for itself.” Hell, a few days ago I was listening to a person brag and brag and brag about his job performance, and I wanted to vomit. Not only didn’t I care about his job performance (hedge funds. yawn), but I started to not care about him—period.

Wanna be smart? Whenever the urge to brag comes along, ignore it and be humble. Ask someone else about their work; about their day; about their family. Whenever you feel like breaking out pictures of your kids (nobody wants to see them. Trust me), request to see someone else’s photos.

OK, just wanted to vent.

PS: Wasn’t this the best post ever!?!?

Dream. Do.

Two hours ago I was sitting on a bench along Manhattan Beach’s main pier. I had just finished taping my final segment of Jim Rome for the week, and there was some time to kill. The sun was shining. The temperature was, oh, 80ish. A bunch of young teens were surfing, riding miniature waves toward the shore. The last few bites of a delicious Nutella-flavored ice cream rested in a cup to my right.

“Man,” I thought, “I’m a lucky dude.”

Then, without pause, I thought back to a conversation I’d recently had with my neighbor, Andy Dallos. Andy is a producer for Rachel Maddow’s show. He’s worked for myriad networks, has traveled the world, has interviewed fascinating people from all walks. Great guy, great career. “People wonder how you survive in this profession,” he said. “The secret is hard work.”

Bingo.

I am lucky. I was raised by parents who supported me; who paid for my college tuition; who allowed me to take their car to Urbana, Illinois in the summer of 1992 for an internship. I chose a university (Delaware) with a strong journalism program; I’ve met wonderful people who have gone out of their way to not only help me, but protect me. Again, I’m lucky, lucky, lucky, lucky.

Luck, however, isn’t enough. Wanna make it in journalism? Wanna write for SI or appear on ESPN or announce Redskins games every fall Sunday? Here’s the big secret (don’t tell anyone): Bust. Your. Ass.

Bust your ass. I used to tell this to my Manhattanville students alllllllllll the time, and I mean it. Work hard. Harder than hard. Set a goal, find a dream—then pursue it like no one else out there. I recall, vividly, covering the 1992 NCAA men’s basketball tournament, when Delaware played Cincinnati in Dayton, Ohio. I was given a spot on press row, right alongside a fellow college journalist who had interned at Sports Illustrated. I remember him telling me about the experience; bragging about connections and his Ivy League background and how the magazine doesn’t just take anyone.

“To hell with that,” I thought.

Following my sophomore year in college, I applied for 105 internships. I was offered one.

Following my junior year in college, I applied for 150 internships. I was, again, offered one.

I didn’t give a shit. I covered everything for my college paper; drove out to Urbana and snagged a solid 60 clips that summer; spent the next summer in Nashville, again winding up with about 60 clips. I wasn’t just eager—I was manic. I would pitch story idea after story idea. I would write about anything. Literally, anything. If you were an editor, and you needed something written, call me. Not only that, I studied my head off. Not text books, but articles. Sports Illustrated was my Bible—ledes, transitions, phrasing. Mike Freeman, who came before me at Delaware, was a beat writer for the New York Times, and I never missed an article. “How does he do that? What’s the order of those words?” Etc.

Quite simply, there was nothing in the world I wanted more than to become a sports writer. And every time someone told me to be realistic, or think about law, or say, “It’s really hard to break into,” I’d put my head down and go harder, faster, stronger.

And here I was, earlier today, on a beach.

For the record, I am not writing this to brag. I’m far from the best writer in America, or the most successful writer in America. Michael Lewis’  “Moneyball” sold more than my six books put together. I’m not especially good looking, or smart, or dashing. I’m 100-percent aware of this.

I just think too many up-and-comers today miss the golden concept. They seek out advice, and internships, and wisdom, and resume stuffers, without committing to the one ideal (hard work) that can take almost anyone toward a dream. If you know what you want—and you’re sure you want it—stop sitting around, hoping.

Chase the dream.

Hard work.

Oh, Susannah

I’d never heard of Susannah Collins before this morning, when I saw people Tweeting about a Chicago sports media personality who accidentally said the Blackhawks had a “tremendous amount of sex during the regular season” instead of “succeed during the regular season.”

Collins, it turns out, was fired by Comcast SportsNet Chicago, although the company issued a release saying it wasn’t because of the flub, but, “a series of raunchy YouTube videos uploaded between 2009 and 2010.” I don’t know Collins, I don’t know Collins’ work. I genuinely feel bad for her, because getting fired stinks, and she was a young woman probably living the dream. I also think corporations tend to suck, and even a sniff of negative publicity will often lead to the axe being slammed into an employee’s neck. If, indeed, Collins was dumped because of the flub, well, it’s shameful. Beyond shameful. As was the case a few weeks ago with A.J. Clemente, shit happens. Shit always happens.

On a personal note, in the past, oh, 15 minutes I’ve become a huge fan of Collins’ work. Why, you ask …

What Jason Collins has to look forward to …

In the handful of days since the world found out that Jason Collins is (gasp!) gay, we’ve been presented with one seemingly heartfelt platitude after another. Two presidents (Obama and Clinton) called to wish Collins mazel tov. Players like Kobe Bryant and Kevin Love Tweeted out support. The reaction, in short, has been wonderful; a Disney movie brought to life, sans the sap music and shooting stars.

This is not reality.

Want reality? Real reality? Here’s the video clip from the aftermath of yesterday’s Celtics-Knicks game, when Jordan Crawford, a Boston nobody, seems to tell Carmelo Anthony, “My boy fucked your wife.”

This, if you’ve been living in a cave, is reference to Anthony’s earlier altercation with Kevin Garnett, the Celtic center who apparently told New York’s star that his wife’s vagina tastes of Honey Nut Cheerios (a cereal I absolutely love, for the record).

Jason Collins, take note.

The NBA is filled with enlightened men; men who graduated college; men who have seen and absorbed the world; men like Kobe, who is thoughtful and intelligent and worldly. It is also, however, overloaded with buffoons like Crawford, who think it’s appropriate (funny, even) to sling shit about another man’s wife. There are, oh, 200 Jordan Crawfords in the NBA, and they’ll say everything and anything that enters their tiny cranial lobes.

“My boy fucked your wife” is the sibling of, “So you take it up the ass” and “Whose dick have you sucked today?” and “Fucking faggot” and “Queer motherfucker” and any other creative homophobic slur that can—and, you can be assured, will—be uttered.

Jason Collins isn’t Jackie Robinson. We’re no longer living in the 1940s, and gay rights have progressed faster than most anyone could have imagined. But professional sports—even those leagues where most of the participants have attended at least some college—tend to merge juvenile and antiquated thinking into one oft-ugly package.

Come 2013-14, I suspect Collins will learn this all too well.

PS: I’ve been reminded, by many, that Kobe has repeatedly used “faggot.” Maybe my interpretation of enlightened ain’t exactly on point. Sigh.

The Quaz Q&A: Adrian Dessi

* Welcome to the 100th installment of The Quaz Q&A. This feature—a question-and-answer session with a person from sports/entertainment/politics/whatever—will appear every week on jeffpearlman.com. If you have any suggestions/ideas for people to speak with, hit me up at anngold22@gmail.com. I’m listening.

The Quaz has never been about fame.

I’ve never sought out Julia Roberts or David Wright or Jimmy Carter; never hoped that (golly gee!) Halle Berry or Brad Pitt or Ray Rice will grace me with 15 minutes for my stinkin’ blog.

No.

I began the Quaz 100 interviews ago because I’m genuinely fascinated by people, and I prefer asking questions to answering them. I want to know how it feels to be a valet parking attendant and not get a tip. I want to know what it’s like, being a firefighter and climbing into a burning building. I’m intrigued by elation and rejection; heartbreak and overwhelming love. I always tell my students (100 times per class) that being a journalist is a gift, in that you have license to ask people almost anything you want. “That,” I shout, “is a beautiful thing!”

The first 100 Quazes have been a mishmash of people from mishmash walks of life. Guitarists like John Oates and Tommy Show and Bruce Kulick; four of Kevin Arnold’s love interests from the Wonder Years; a KKK leader, Miss Black Iowa, a childhood friend fighting through MS, a woman blogging courageously about cancer, an opera singer, a street musician, a Tea Party activist, 12 former Major Leaguers, an erotic escort, a professional skeptic, a bashful illiterate from Little House on the Prairie, the CEO of Panera, the only woman to score a point in Division I football, a dog trainer. Some have been great, some have been meh, but I like to think they all pay homage to the power of curiosity.

This week, for the historic-only-to-me 100th Quaz, I wanted someone special. I’ve fielded countless suggestions, but never one that truly moved me. Then, a few weeks ago, I thought about my boyhood on the mean streets of Mahopac, N.Y. Specifically, I thought of a man who seemed to somehow have this life thing figured out, even from the heartbreaking nest of a wheelchair.

I grew up with Mark and Chris Dessi, and consider both to be good friends. Four years ago their father, Adrian Dessi, was first hit with the idea that he might—might—have ALS. The initial symptoms of Lou Gehrig’s Disease can be vague and misleading, so it’s difficult to diagnose. Yet, ultimately, Adrian’s symptoms could not be dismissed. He was experiencing, among other things, muscle twitches and fatigue.

Indeed, it was ALS.

Now 67, Adrian Dessi is extraordinary. I visited him at his home in Camel N.Y. on a cool Thursday last month, not quite sure what I’d find. Would he be depressed? Solemn? Would he cry? Bemoan the inevitable lost years?

Two words: Hell. No.

Meet my new hero—a man who overcame an rough childhood filled with ritual beatings and dismissive parenting to turn darkness into blinding light. He is the father of two, the grandfather of five, a successful businessman, a loving husband, an ALS sufferer and, oh, yes, stronger than steel.

Adrian Dessi, I am honored to have you as the 100th Quaz.

Adrian and Patricia at their wedding on Aug. 16, 1969

J.P.: How did you become aware that you had ALS?

A.D.: I had a heart murmur. In the fall of ’09 I went for my physical, and the internist says, ‘You have to go see the cardiologist. Your heart murmur has gotten worse.’ And at the same time I complained to him about getting muscle twitches. He said, ‘Go see the neurologist’’ So I went two paths—neurologist, cardiologist. I wasn’t thinking ALS. Cardiologist comes back and says, ‘The heart murmur is bad. If you don’t take care of it and get valve repair or replacement, you’re going to have serious damage to your heart.’ OK, I go to the neurologist down here, he sends me down to Cornell Weill, and I come back after that. He says, ‘Well, it’s possible-to-probably ALS.’ This is the fall of 2009. So I said to him, ‘How many people have you diagnosed with ALS?’ He said, ‘You’ll be the second.’ I said, ‘OK, time for a second opinion.’ Plus, when you have an ALS diagnosis you don’t go for heart surgery. So we went down to Columbia Presbyterian, to the Lou Gehrig neurological unit, and we met their team, went through their battery of tests, which were a little more extensive than the ones I got previously. And they came back and said, ‘Gee, we don’t think you have ALS. We think you might have benign fasciculations—the muscle twitches. And two weeks later I had my heart valve repaired.

This was now January 10. I had the surgery in Westchester, near White Plains. So I come out, luckily they didn’t have to do a valve replacement. They were able to repair the valve. I come out of the surgery and I say to my wife, ‘I can’t cough. I can’t sneeze.’ She said, ‘Tell the doctor.’ OK. Every morning a team of doctors comes in, checks me after the heart surgery. ‘How you doing?’ I say, I can’t cough. I don’t have the diaphragm. That’s what happened. The surgery … your body goes through trauma through something like open-heart surgery. And the trauma exasperated the ALS in the diaphragm. But I didn’t know it. I did very well with the heart surgery recovery. Within a matter of three, four weeks I was going three days a week to a cardio unit for exercise. Where they monitor you. They’re tracking you as you exercise. They increase the times, the duration, the kinds of exercises. All I kept getting were accolades. ‘You’re doing great! You’re doing great!’ But I’m saying to myself, ‘If I’m doing so great, how come I have to hold onto the handrail to lift myself up the five steps to get into the place?’

J.P.: Were you thinking about ALS again?

A.D.: I wasn’t thinking about anything. All I was thinking about was my body … something’s going on. This is not right. I’m saying to people, ‘I have benign fasciculations.’ But you’ve been in the gym—you know what it is to feel your body increase. You increase your breathing capacity, your stamina, your muscle strength. You feel it. Here I am, going to cardio physical therapy three times a week, 45 minutes each time, and after three months why can’t I walk up four steps? It was like, something’s going on.

On top of all that, I have a bad disc. I had lower back pain. So my internist suggested, ‘You need physical therapy.’ So now I’m up to five days a week. Three days with the cardio, two days a week with the physical therapy. I come home, I lay down on the couch, I collapse. I’m out. My wife’s coming home from work, she’s like, ‘What the fuck is going on? You’re sleeping in the dark at 4 o’clock in the afternoon.’ I said, ‘I don’t know what it is. I’m just exhausted.’ It goes on a little bit longer. I’m complaining about my back. Doctor says, ‘Why don’t you go get an MRI?’ Alright, so I go get the MRI. Now I’m feeling weaker, and I decide I think we need to go back to the people at Columbia to see what’s going on. This is now January 2011. We go back, they check me out and they say, ‘Yup, it’s ALS.’ OK. And at the same time, I’ve got pain here, I’ve got pain here. And the message I’m getting from the neurologist is that ALS is a painless disease. I said, ‘For a painless disease, I’m going through the fucking roof here. This is a bitch. I got pains in my thoracic area, 360 degrees around my body. And I’ve got pain in my lower back. So they sent me to their pain management group at Columbia. I go there, they look at the MRI, and they know I’ve just gotten the diagnosis of ALS. And he said, ‘Well, if you didn’t have ALS I’d be talking to you about disc replacement. Your disc is gone. It’s gone.’ So we started a regiment of lower spine steroid injections and some injects for my thoracic area. So ever since then it’s been—I have ALS and that’s it.

Adrian with his sons, Mark (left) and Chris.

J.P.: What does it feel like when you hear your diagnosis and it’s ALS? I don’t mean, ‘Oh, this is horrible.’ Like, how did you process it and did you accept it? Not accept it?

A.D.: When the first doctor told me and he said it’s possible to probable, I think in my gut I knew it was probable more than possible. And I accepted it. You know, it’s life. You know, how do you accept getting a D on your math exam? It is what it is. You have to deal with it. It was tough telling my wife. I went to the hospital myself, she was still working at the time. It was tough telling my sons, my daughter-in-laws; it was tough telling my brother, Joe. You know, I told my brother. We were playing golf over in Mahopac. He had come up for the weekend. We were playing and I said, ‘Something’s going on, I thought you would like to know. I have ALS’ He was like, ‘What?’

I don’t know how people react to things like that. I didn’t break down. I didn’t cry.

J.P.: No five stages of grief …

A.D.: No, no. It was another punch to the belly like any other punch to the belly you go through life with.

J.P.: That’s pretty amazing. I mean …

A.D.: You get punched enough and you stand up and keep going. You just go along with it.

J.P.: So obviously it’s a famous disease named after a famous baseball player, but how would you describe what it is like to have Lou Gehrig’s Disease?

A.D.: (Long pause) It’s a very frustrating disease. Because it doesn’t affect your brain, it doesn’t affect your heart, it doesn’t affect your bowels, it doesn’t affect your urinary tract. But it affects everything else. So, like, you have your finger in your mouth (Jeff’s note: He’s referring to me, sitting across from him on a couch). I can’t do that anymore. I have an itch above my eye. I can’t scratch it. It’s extremely frustrating because every aspect of your life that you’re so used to doing—you can’t do. I’m at the point now where I’m losing the ability to feed myself. I have to have somebody else to feed me. So it’s just very frustrating.

J.P.: So do you still have feeling in your legs?

A.D.: You have feeling over your entire body. You can come over and tickle my toes, and I can feel it. I just can’t move it.

J.P.: Does it feel like you can move it? Like, can you feel your foot right now and feel the impulse to move it?

A.D.: Um … put your foot on the floor. Now tap your foot. Tap it more. Tap, tap, tap. I can’t do that. It’s like it weighs 5,000 pounds, trying to do that. I can lift my heel, but I can’t lift my toes. My toes—I’m straining right now with every ounce in my body. And I can’t do it. There’s no pain involved. The foot doesn’t hurt. I just can’t move it. And if I try to move it, I strain and strain. But it doesn’t move.

J.P.: And what’s your breathing like? (Jeff’s note: Adrian has a breathing tube beneath his nose)

A.D.: When I came out of the surgery, I lost about 40 percent of my diaphragm. I’m now down somewhere around 30 percent. That’s why I use this. It’s not oxygen—it’s just air. It’s what they call a BiPAP machine. What the BiPAP does is it inhales and exhales for you. And it’s set to the amount you need to expand your diaphragm. This is basically what’s keeping me alive. I could probably survive without it, but I’d have to use other muscles to try and suck in the air. So there’d be a lot of strained breathing, and what that does is it easy exhausts you. Because it’s not a natural muscle. You get heavy breathing when you’re running, you stop or slow down and take a breath. Sitting at rest, you’re OK. Well here, sitting at rest, I’m using all these surrounding muscles and that exhausts you. And one of the watch words for this illness is ‘energy conservation.’ Don’t exhaust yourself. Because it exacerbates the situation.

I don’t know how much you want to know about the disease. Wait, Jeff, do me a favor and remove this pillow from behind my neck (Jeff’s note: I do). The disease affects upper motor neurons and lower motor neurons, basically. Basically that means it’s in your brain and it’s in your spinal cord, and it affects the transmissions from your brain to the muscles, and then back from the muscles back to the brain. The transmission back being disconnected is worse than the transmission going there. And what that means is, when you exercise, the muscles send instructions to the brain, ‘Hey, I just got exerted.’ And the brain comes back and says, ‘OK,’ and it does certain things. Without that connection the muscle just lays there, and that’s what’s happening. Now it doesn’t affect every muscle in your body. But what it does affect is the mouth, and a lot of people start with symptoms of slurring words, of dribbling. And they’ll gradually lose the ability to speak, the ability to chew, the ability to swallow.

J.P.: Will that eventually happen to you?

A.D.: Probably. Thankfully, knock on wood, I haven’t presented those symptoms yet. It’s interesting—last month I was out on Long Island, and I met a friend of my aunt’s who was diagnosed about a year ago with ALS. She can’t swallow, she can’t chew. But she stands, she walks, she writes. The disease doesn’t attack everybody the same way. Everybody is different. The next big area is diaphragm. That’s my big problem area. The next area is gross motor, and the fine motor, your hands. As you can see, I have trouble with my hands. I can’t make a fist or hold a pen. I can barely press the buttons on the remote.

J.P.: So does this disease come with definitive moments—Shit, I can’t make a fist any longer! Shit, I can’t press the buttons on the remote! Shit!

A.D.: Slowly. This hand looked like this hand two months ago. It’s slow, in that it wasn’t from yesterday to today. But it’s fast, in that six months ago I was able to walk with a walker. Not a lot, but I could walk 25 … 30 steps. I could stand up. You know, I could feel myself. I could stab something with a a fork. I can’t do that now. It didn’t happen yesterday, but it happens pretty quickly.

J.P.: This might sound like a dumb question, but do you wake up in the morning and think, ‘Crap!’ Or can you wake up in the morning and think, ‘This is going to be a good day”? Can you have enjoyment? Is that impossible at this point?

A.D.: The screwy thing about the disease is it doesn’t affect your brain. So I’m the same guy who was playing golf three times a week in 2009. But I just can’t do it. There is no … I’m not in a lot of pain. I’m in pain because I have disc issues. But other than that, if I’m laying in bed, I’m looking forward to the day. Then you get up and you deal with the realities. You can’t do this, you can’t do that.

J.P.: So what do you do? What are your days, generally?

A.D.: My days generally? Well, because I can’t dress myself and bathe myself and feed myself, it takes me the better part of the day just to get up and get washed and cleaned and fed. That’s done by 12 … 1 o’clock. I get up at 9.

J.P.: Do you sleep the same as you once did?

A.D.: I probably sleep a little better. Because I’m tired. There are some nights I sleep like a log. I usually get down around 10, so I sleep from 10 pm until 9 am.

My day … I watch a lot of TV. I’m a movie fanatic, so I watch a lot of movies. Last night I watched Prometheus. I like the concept of the movie, because it’s based on books I read a long time ago about aliens coming to earth. It was interesting. I probably see six, seven, eight movies in a week. I’ve seen Argo, Lincoln, Sliver Linings Playbook, Django

I also have two other things that keep my busy. I read. If I decide today I want to get into a book, I’ll start today and I won’t stop, and I’ll read two-to-three books a week. I have to use a tablet. I can’t turn pages. Ask your buddies Mark and Chris, when we used to vacation down in Florida, I’d take two big thick books, and I’d read them in four days—1,400-page books. I’d hear, ‘You didn’t read that book!’ They’d argue with me. I like to flip through a nice, thick book—start at 8 in the morning, come in at 5 for dinner. But now I can’t turn the pages, so I use my iPad. I also have model Lionel trains downstairs. I have a 10-foot x 10-foot table I’ve been working on for years. It used to be my father in law’s set, from the 1950s and 60s. I did a lot with the trains until I started getting severe ALS symptoms. So I pretty much stopped in 2010. But I’ve been relying on Dwight (Jeff’s note: Dwight is his lovely home health aide), and my friends who come over, to be my arms and legs. I direct them. My grandkids are beside themselves with it. I just bought a lot of new equipment, and I’m trying to solicit any neighbors who might have free time to help me build. Another problem is access—the only way to get downstairs is I have to go outside and in the back, which means when there’s snow on the ground …

After Chris completed a marathon in his father's honor.

J.P.: Lou Gehrig gives his famous speech, and he says, ‘Today, I consider myself the luckiest man on the face of the earth.’ Do you get it? Is it possible to feel that way while having a disease like this?

A.D.: I’m gonna die. Sooner than planned. ‘You plan it, God laughs’—that’s an old saying. I went to a support group at Putnam Hospital, and there were people with neurological diseases, and they were having a guest speaker who was a pharmacist. And there’s about, maybe, a dozen people, and some guests—caregivers. And the majority of the people had Parkinson’s. And they’re bitching and morning that they shake all the time. ‘Why do I  have to shake all the time?’ and ‘Isn’t there something I can take to stop the shaking?’ I’m sitting there saying to myself, ‘I’ll take shaking all the time … I’ll give you my right arm and take all the shaking. Because you guys don’t know what the fuck you’re doing.’

And I’ve said this to lots of people, and please forgive the language: I’m one of the luckiest fucking guys in the world. I’m a street kid from Brooklyn. You know what that means? It means your expectation is that you’re going to end up like the guy on the corner, flipping half-dollars in the sharkskin suit. Or you’re gonna end up, if you’re lucky, working in the railroad repair facility right around the corner. I grew up—nobody in my family graduated college. In fact, my mother never graduated high school. Eighth grade—that was it. My father, he was a big shot. He got his high school diploma. So I’m a street kid from Brooklyn. I was blessed. I was 30-years old, I was the vice president of a bank. A half-dozen heartbeats away from the presidency. Making a very, very reasonable salary. And I’m sitting there thinking, ‘Where do I go from here?’ I had no … it was like, nobody in my family is the vice president of a bank. I mean, my relatives and friends would talk to a vice president of a bank like he was a god. So it was like, ‘What the hell is going on here?’ So I’ve been blessed all my life. I’ve got beautiful sons, my daughter-in-laws are gorgeous, bright young girls. My wife is the love of my life. I mean, I made more money, did more traveling, vacationed in places that I never thought possible. Jeff, we went like half a dozen times and rent a villa in the Riviera. And go for a month with the kids. We had the best freakin’ vacations. The place we rented was a friend of a friend’s, it was on an acre of land with a big in-ground pool overlooking the Mediterranean, 20 minutes from Cannes, 40 minutes from Nice, 50 minutes from Monaco. We were right there, in Provence. It was unbelievable. You thought you were in heaven. I’ve been around the world three times. I’ve done shit, as a kid growing up I would have said, ‘You’re crazy. Impossible. Will never happen.’ My brother is a former school-teacher. He taught in Long Island for 34 years. He’s also a football coach. He coaches seventh and eighth graders. We’re talking, he says, ‘What was the most amount of money you made in a year?’ I told him, I thought he was gonna faint. He couldn’t believe it. It was beyond his comprehension. Am I a multi-millionaire? No. But we did very well.

I have nothing to complain about. There’s nothing to bitch about. Am I disappointed with this disease? Yeah. What am I disappointed about? See my five grand kids? (Jeff’s note: He motions toward a nearby photograph). I’m not gonna see them grow up. That’s what’s disappointing. I have one grandson, Luke. I’m gonna give Luke my golf clubs. I have a brand new set of golf clubs that I think I used a half dozen times. But I’d love to be there when he’s graduating high school and say, ‘Here kid, these are for you.’ I don’t know if I’m gonna be there. I don’t think so. He turns 3 in July.

J.P.: Do you fear death? Does the idea of death itself make you nervous or uncomfortable?

A.D.: I don’t think about it. It’s there, but it’s … I never was the kind of guy that was in my head with my problems. I was never, ‘Oh, shit, you lost your job. What will you do? What will you do? How you gonna get a job?’ Yeah, I got shot down a lot of times. That’s life. My brother tells stories of how he would share my experiences with his friends, because he couldn’t believe it. He says, ‘You lose your job at A, you get your job at B for twice the money. How the fuck do you do that?’ You do it. ‘You lose your job with B and you get 50 percent more salary with C. How the hell do you do it?’ You do it. Those were opportunities. I didn’t set the price scale. They set the price scale. I just had the skill set. He used to crack up. I’d always say, ‘Joe, you just go do it. If you get it in your head, you start beating yourself up. That’s not the way to go.’ I had that as a kid. My parents beat the hell out of me—physically and emotionally. And I learned, you can’t go there.

J.P.: So you’re from Brooklyn …

A.D.: Yes. I’m from Gravesend. I was born in 1945. I went to St. John’s Prep. My father was Adrian—I’m a junior. And my mother was Marie. I have an older brother, Joe, and Carol is my younger sister. My father worked in the manufacturing business. He was a clothing cutter. They’d take the apparel, make a suit, you’d lay it out on these long tables, they would lay down on top of that a sample and he’d come along with a high-speed drill and cut out stacks of materials in the shapes needed to make an arm, a leg, etc.

J.P.: Was he a tough guy?

A.D.: A tough guy? Not really. My father worked in the clothing business, but that’s what they used to call a seasonal business. What that meant is he was out of work a lot, so he’d pick up a lot of odd jobs to supplement. And it was a family business, sort of. My grandfather was in the same business, my grandmother was in the same business, my father’s uncle was in the same business. But he worked six days a week. Saturdays he would get home, like, 5 o’clock. That was half a day. Because Monday through Friday he would work two jobs. He’d get home, like, 9 o’clock at night after leaving at 7 o’clock in the morning. So I didn’t see him much. Saturdays he would come home, he would maybe go shopping with us, then go to sleep. And he slept all day Sundays. It was his day off. So I never really had much of a relationship with him.

J.P.: So not a good dad, not a bad dad. Just a dad …

A.D.: He was … my mother was the disciplinarian. I don’t know what kind of upbringing my mother had. But my mother used to beat the shit out of us.

J.P.: With a belt? Stick?

A.D.: More sophisticated. My mother was a thrower, so she threw anything around at you. I got stuck with a fork in my arm from across the table. She threw a steel pot of food at my brother, and luckily he ducked quick enough it went through the regular window and the storm window, down three flights. Because we lived on the third floor. She would use broom sticks on us, but then she’d complain to my father that the stick broke. So my father would tell her to get a thicker stick. And one of my father’s odd jobs was he finagled himself to become a barber instructor. He never worked as a barber, but he got himself employed where he could get a cushy job teaching people to become barbers. That was his night job. So he worked at the factory cutting material all day, and then in the evenings he would work from 5 until 9, helping people to learn a skill. So what he did is he brought my mother a barber strap. Which is actually like three straps of leather. And my mother used to wear it on her apron. So she’d have it readily available. She would take us into the bathroom. She wore it on her apron, and she also had a hook on the door behind the bathroom and she’d hang it there. She would bring us into the bathroom.

It was interesting, as adults, talking to my brother and my sister about our treatment. They both agreed I got the worst of it because I wasn’t the daughter and I wasn’t the first son and I was a little bit of an antagonist. I pushed the envelope. Anyhow, that’s the bad side. The good side is it made me tough. I have a pretty high tolerance for bullshit.

J.P.: I wrote a book about Walter Payton. His parents would have him go out back and get a stick, then beat him with it. Yet he loved his parents. Can a mother be that way and also be a good mother? Or no?

A.D.: (long pause) I don’t know what a good mother is. I had a mother. I know what she was. She wasn’t a doting, loving person. My father developed a nickname for me when I was a teenager. The nickname was, ‘The bum.’ That’s how he introduced me. When I was in high school I went to preparatory school, so you had to wear a suit every day; gotta wear a shirt and tie. So I needed clothes, and he was in the clothing business. He’d say to me, ‘Tomorrow, come meet me in the office. We’ll measure you up for a suit.’ So I’d go, I’m at his work, and I’m meeting all the people he works with. And how was I introduced? ‘This is my son—the bum.’

Throwing out the first pitch at Yankee Stadium in 2011, on the same day Derek Jeter had his 3,000th hit.

J.P.: At that age, did it sting? Or only in hindsight?

A.D.: At that age it was sort of like, ‘What, is this a joke? Is this not a joke?’ It was kind of water off my back. But you asked about my mother. Move forward. I’m 30-something-years old. Married. Two children. Responsible job at a bank. A 3,000-foot colonial home. Brand new car in the driveway. And my mother says to me, ‘Well, maybe you’re not such a bum.’ And I said to her, ‘You S.O.B.—you meant it all those years. And Dad meant it.’ It wasn’t a joke.

My father and my father-in-law were at a family event, and the grandkids were all these, in college. And my father said, ‘Boy, we did good.’ And I said to myself, ‘What the fuck did you do?’ Get the hell out of my house. But I didn’t say that.

There was a situation [later on] where I sat down with him with my sister, and we read him the riot act. He said, ‘I’m flesh, too! I’m flesh, too!’ He was stupid. My mother was also stupid.

J.P.: Did you ever forgive your parents? Or now, that they’re not here, are you able to sort of, I don’t know …

A.D.: You know, it’s so tough. I want to forgive them. Because you need to forgive to move on. At the same time, uh, I did well. I did well. From where I came from, from my family. I remember going to a dance with my aunt and my uncle, my aunt says to my uncle at the time, ‘No one makes $100,000 a year.’ I was in my 30s. I was going, ‘Holy shit, she doesn’t realize I make that kind of money.’ I’ve done extremely well. Part of that is because I got my ass kicked; because I got my lip broken when my mother threw a metal dish at me three months before I got married. It made me tough, and because I’m tough I’m able to do things.

So on the one hand, yes, I should forgive them …

J.P.: But you don’t want to give credit for unintended consequences …

A.D.: Exactly! On the other hand, you say, ‘It would have been nice to have had been told when I was growing up that I was a responsible person, that I was a good person.’ I tell my granddaughters—one’s gonna be 7, I have two 5-year olds, and I have two littles who are 2 ½ a piece. But I tell the older girls, because they can understand. I tell them, ‘Tell me what you see when you look in the mirror?’ And they say, ‘I’m kind, I’m pretty and I’m smart.’ And my answer is, ‘That’s right. And don’t you forget it every time you look in the mirror.’ I remember as a kid, 8 … 9-years old, looking in the mirror and thinking, ‘Who am I? What am I? Except a punching bag.’

J.P.: So coming where you come from, how did you escape?

A.D.: I remember, vividly, I was about 11, and I ran away. I had no money. But I took off. I just ran away. If I had had some money, I would have gotten on the bus and gone somewhere. But I ran away and during that time we lived, literally, by a train yard. It was a depot for the subway system. It’s one of the largest ones, down by Coney Island. And I walked that entire facility. I was gone for the better part of eight, 10 hours. And during that period of time I said to myself, ‘I’m out of here. I’m intellectually, emotionally out of here. I don’t care what they do to me, I don’t care how much they beat me. I’m out of here.’ And I realized the only way to get out was I had to develop skills and I had to educate myself. But to do that was very tough for me. I had no foundation of support to say, ‘You’re smart, keep going.’ What I had was beatings. So it was like, ‘Why should I get a 90 or 100? I’m going to get my ass handed to me anyway.’ So there wasn’t much motivation. I had to become self-motivated for the education. It was not easy because I was an emotional basket case. I went to a Catholic prep school, which you had to pay for. My brother went to Brooklyn Tech, so that was free. For me, I went to Brooklyn Prep and I thought a little, ‘Gee, wow, my parents have supported me.’ But it didn’t dawn on me until years later that they didn’t do that for me. They did it for themselves.

J.P.: Why? Status?

A.D.: Yeah. They always said, ‘You have to go to college. You have to go to college.’ I was an emotional basket case. I got out of high school, I graduated on June 9, 1963. On June 10, I started work. I worked at Steeplechase. It was an amusement park on Coney Island. The Brooklyn Cyclones’ stadium is where Steeplechase was. I started working, and I worked Friday nights from 6-to-1, Saturdays from 12-to-12 and Sundays from 12-to-10. And on Mondays I worked at my brother’s old job, in the mail room of a not-for-profit called 40 Wall Street. He got a better job for the summer, so I took over for him for the summer. So I worked Monday through Friday, 9-to-5 on Wall Street. So I proceeded to work 20-straight weeks, seven days a week, working something in the neighborhood of 90-some hours. Why? To save money for college. Because when I got into college, what I got was a handshake from my father. ‘Congratulations, I’ll sign whatever you need me to sign.’ That was it. So I had to do it on my own. I needed money. Well, think about yourself when you graduated high school. That summer, you celebrated, rejoiced, rejuvenated, then went on to school. I didn’t have that opportunity.

So what did I do? I got to school—St. John’s University—and I did terribly. I got kicked out in my first year for academics. So my father was there, reinforcing ‘My son the bum.’ So I had to get a job, and I got one working in a bank as a teller. Lincoln Savings Bank—the branch on Flatbush and North Street. And I lived at home. And I did that for two, three years. Bought a brand new 1965 Volkswagen Beetle for $1,865. My car payment was $50 per month. I was working as a teller, so I was only making $65 a week. It was tight, but I could do it and I could get to work. And I enrolled in Pace as a non-matriculated student, and I started taking business courses at night. Until I got my grades up sufficiently, and then I quit work, I went to school full-time and I started working part-time because I still had to pay my tuition. I graduated in 1969. My brother went to college before me, so I was the second in my family to graduate.

J.P.: How meaningful was that to you?

A.D.: It was extremely meaningful to me, because it was the sense of accomplishment. It motivated me to go off for my graduate degree. I have an MBA from St. John’s. I went back to St. John’s to prove to myself I could get it through there.

J.P.: Do you think your parents were impressed when …

A.D.: I didn’t give a shit. I wasn’t doing it for them. I was doing it for me.

J.P.: Lemme ask this—I always think there are two ways people who are raised by bad parents can go themselves. They can either follow that path or say, ‘Fuck that, I’m going to be absolutely nothing like that.’ It seems like you took the second path. Were you motivated by bad parenting?

A.D.: Yes. My brother and I both agreed we were not going to parent the way we were parented. We both agreed we were not going to have a home life the way we had a home life.

J.P.: So was it easy to be a different kind of parent? Did it come more naturally to you than you thought?

A.D.: It was a hard job. A very conscious job. I have to give credit to my wife. My wife is a sweetheart; came from a 180-degree different type of environment. Very loving person, very giving person. It took a lot of her help to help me to see things.

My brother has three kids—his oldest son, Joseph, has his own ad agency. His daughter, Stephanie, has her own occupational therapy business in Manhattan. She specializes in breast cancer victims. His son Matthew is a geologist, but he works for an environmental company and he’s the head marketing guy. And you know my sons. Not too shabby. And they are—all five of them—are aggressive, they’re tough business people and they’re loving parents. They all have beautiful kids, great partners. That makes me and my brother and my sister feel so good.

J.P.: Like you made it?

A.D.: Yeah. We … we changed the cycle.

J.P.: What did Chris running the marathon in your honor late last year mean to you?

A.D.: It’s beyond words. Beyond feelings. I don’t know where to begin. It just chokes me up. I mean, for the majority of my life nobody did shit for me. From when I was born, nobody did shit for me. All I got was a 2×4 upside the head and a kick in the ass. To see my son do something for me—I can’t put words to it. I’m not used to it. Don’t know how to react. You know—never had it.

This disease has a plus side.

J.P.: How do you mean?

A.D.: It’s made us all closer. One of the biggest problems I’ve had in my life is accepting love. I didn’t know how to do that. Because what I got as a child certainly wasn’t. I got discipline. I was ‘My son the bum’ to my father and my mother’s words were, ‘Children are to be seen and not heard.’ And she lived by that. ‘Sit there and shut up. You have no point of view. You have no decisions. You have nothing to say.’ So it was difficult. And I had to deal with lots of crazy emotions. I was a pipe smoker for more than 40 years. I loved to go out and smoke. But it was also a crutch. Family would be in the house having a good time, I’d go outside and look in. I couldn’t go back in. I didn’t feel I was worthy to be inside, because I didn’t know how to deal with those kinds of emotions. It’s taken me a long time. This disease kicked me in the ass in that regard. So it’s helped me in that regard. I’m much more open and accepting and understanding.

Intellectually, I don’t understand it. But emotionally I’m learning how to take it.

QUAZ EXPRESS WITH ADRIAN DESSI:

• Five reasons for someone to make Mahopac, N.Y. his/her next vacation destination: The people, the beautiful lake, the people. I don’t know what else.

• Do you feel like you abandoned Mahopac by moving to Carmel, N.Y., it’s arch-rival town?: Uh, no. We don’t feel we have because we haven’t. We go to Mahopac for everything. I’m a Mahopac guy. When I was 12, my father’s cousins used to summer right near Lake McGregor. One summer my father decided to bring us up, and I fell in love with Mahopac. Years later when we were married and looking for a place to live, Mahopac came up and I said, ‘That’s the place!’

• Best advice you ever received?: Be true to yourself.

• How often in your life have people made the Rocky ‘Addddrrrriiiian!’ reference to you?: Uh, not as much today as they did years ago. When I was in college I got a lot of them. ‘Yo, Adrian!’

• How did you propose to your wife, Patricia?: We were sitting on the beach on the south bay on Long Island during a sunset.

• How did you meet your wife?: In college, at a dance at a hotel in Manhattan. I was a super senior at Pace, she was a freshman.

• What is the greatest moment of your life?: There are two—when my sons were born.

• Best movie you’ve ever seen?: Jesus, that’s a toughie. I like the movie, what the hell is it, the black-and-white movie … It’s a Wonderful Life.

• Do you feel like people approach you in a different way now that you have ALS?: Yes, they do. And it’s very uncomfortable. I would like people to approach me like I’m standing up 6-feet tall, 210 pounds, kick your ass, shake my hand with a nice tight grip. I don’t want to be perceived as that sickly old guy sitting in a chair. You know how you get like that, I think? When you start letting this situation take over your life. That’s when that happens?

• Do you never have ‘Why is this happening to me?’ moments?: Fleeting. Short. Brief. Kick their ass, get them out of my head. It’s really good, because if I let it take hold—and I know this, because I’m smart enough to know this—that will be the end. That will be the end of my relationship with my family, it’ll be the end of me. And you know what? I’m not dying today and I’m not dying tomorrow. So fuck you. I don’t have time for this shit.

QUAZ DATABASE:

Quaz 1: Wendy Hagen (Former child actress, The Wonder Years)
Quaz 2: Chris Burgess (Professional basketball player)
Quaz 3: Tommy Shaw (Singer/guitarist, Styx)
Quaz 4: Russ Ortiz (Former Major League pitcher)
Quaz 5: Don McPherson (Former NFL quarterback, feminist)
Quaz 6: Frank Zaccheo (MS activist)
Quaz 7: Geoff Rodkey (Daddy Daycare screenwriter, author)
Quaz 8: Meeno Peluce (Former child actor, Voyagers!) 
Quaz 9: Karl Mecklenburg (Former NFL linebacker)
Quaz 10: Amra-Faye Wright (Actress, Chicago)
Quaz 11: Phil Nevin (Former Major League slugger)
Quaz 12: Jemele Hill (Columnist and commentator, ESPN)
Quaz 13: Drew Snyder (Christian Minister)
Quaz 14: Roy Smalley (Former Major League shortstop)
Quaz 15: Michael Shermer (Professional skeptic)
Quaz 16: Kathy Wagner (Actress)
Quaz 17: Travis Warren (Lead singer, Blind Melon)
Quaz 18: Scott Barnhardt (Broadway actor from The Book of Mormon)
Quaz 19: Chris Jones (Writer/Author)
Quaz 20: Cindi Avila (Celebrity chef)
Quaz 21: Crystal McKellar (Former Wonder Years actress, attorney)
Quaz 22: Dan Riehl (Conservative blogger)
Quaz 23: Prime Minister Pete Nice (Rapper, baseball historian)
Quaz 24: Glen Graham (Drummer, Blind Melon)
Quaz 25: Dave Coverly (Nationally syndicated cartoonist)
Quaz 26: Marie Te Hapuku (Opera standout)
Quaz 27: Christian Delcroix (Broadway actor)
Quaz 28: Jack McDowell (Former Major League pitcher)
Quaz 29: Jake Black (Comic book writer, cancer survivor)
Quaz 30: Brian Johnson (Major League scout, former Giants catcher)
Quaz 31: Craig Salstein (Soloist, American Ballet Theatre)
Quaz 32: John Herzfeld (Hollywood director)
Quaz 33: Jenny DeMilo (Professional escort/erotic specialist)
Quaz 34: Tina Thompson (Longtime WNBA star)
Quaz 35: Seth Davis (Sports Illustrated writer, CBS basketball analyst)
Quaz 36: Dave Fleming (Former Major League pitcher)
Quaz 37: Mike Sharp (Former world-class cyclist, accident victim)
Quaz 38: Kathleen Osgood (Blogger, cancer survivor)
Quaz 39: Gabriel Aldort (Street musician, New York City)
Quaz 40: Lennie Friedman (Former NFL offensive lineman)
Quaz 41: Rick Arzt (Lead singer, Love Seed Mama Jump)
Quaz 42: Sean Salisbury (Former NFL QB and commentator)
Quaz 43: Mac Lethal (Rapper)
Quaz 44: Cord McCoy (Professional Rodeo star)
Quaz 45: Cameron Mills (Pastor, former Kentucky basketball star)
Quaz 46: Jim Abbott (One-handed former Major League pitcher)
Quaz 47: Alison Cimmet (Broadway and commercial actress)
Quaz 48: Linda Ensor (Tea Party activist)
Quaz 49: L.Z. Granderson (ESPN and CNN columnist)
Quaz 50: Gina Girolamo (Television executive)
Quaz 51: Lenny Krayzelburg (Former Olympic swimmer)
Quaz 52: Shawn Green (Former Major League All-Star)
Quaz 53: Ashley Poole (Singer, former member of Dream)
Quaz 54: Scott Jurek (World-class ultra-runner)
Quaz 55: Rocky Suhayda (Leader, National KKK Party)
Quaz 56: Liz Scott (Executive director, Alex’s Lemonade Stand)
Quaz 57: Lindsay McCormick (Sports television personality)
Quaz 58: Jack McCallum (Author, “Dream Team.”)
Quaz 59: Nelson Dellis (Two-time U.S. Memory Champ)
Quaz 60: Wayne Wilentz (Jazz musician)
Quaz 61: Bev Oden (Olympic volleyball player)
Quaz 62: Amy Hastings (Olympic runner)
Quaz 63: Drew Magary (Writer)
Quaz 64: Shannon Bex (Singer, former Danity Kane member)
Quaz 65: Adam Schefter (ESPN NFL Insider)
Quaz 66: John Oates (Hall & Oates)
Quaz 67: Brandon Steiner (Sports memorabilia guru)
Quaz 68: Steve James (Director, Hoop Dreams and Head Games)
Quaz 69: Doug Glanville (Former Major League outfielder; ESPN analyst)
Quaz 70: Nathan Osmond (Country singer)
Quaz 71: Daniel Okrent (Journalist)
Quaz 72: Dmitriy Salita (Boxer)
Quaz 73: C.J. Nitkowski (Major League pitcher)
Quaz 74: Dawn Neufeld (TV Personality; NFL Wife)
Quaz 75: John Wesley Harding (Singer, Author)
Quaz 76: DJ White Owl (Rapper, DJ)
Quaz 77: Dirk Hayhurst (Baseball player, author)
Quaz 78: Marty Appel (Former Yankees PR Director, author)
Quaz 79: Lisa Edwards (Famed Dog Trainer)
Quaz 80: Fred Claire (Former Los Angeles Dodgers GM)
Quaz 81: Paul Ercolino (Gun Control Activist)
Quaz 82: Amy Freeze (ABC Meteorologist, on-air personality)
Quaz 83: Tom Verducci (Sports Illustrated baseball writer)
Quaz 84: Dirk Blocker (Character actor, Little House standout)
Quaz 85: John Backderf (Cartoonist, author)
Quaz 86: Brittanie Weaver (Model, actress)
Quaz 87: Jim Colletto (Retired NFL and college football coach)
Quaz 88: Skee-Lo (Rapper)
Quaz 89: Ryan Semple (Olympic Skier)
Quaz 90: Tatiana Thumbtzen (Model, Michael Jackson Muse)
Quaz 91: Pete Babcock (Former NBA General Manager)
Quaz 92: Katie Hnida (Kicker/Pioneer/Motivational Speaker)
Quaz 93: Eric Hutchinson (Singer/Songwriter)
Quaz 94: Alexcia James (Miss Black Iowa)
Quaz 95: Bruce Kulick (Former KISS guitarist)
Quaz 96: Kevin Mench (Former MLB slugger)
Quaz 97: Ron Shaich (Panera Bread Founder)
Quaz 98: Jenn Sterger (Actress)
Quaz 99: Wendel Meldrum (Actress, Miss White on Wonder Years)
Quaz 100: Adrian Dessi (ALS Sufferer, Role Model)
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Today’s piece in the Wall Street Journal …

… is about my all-time, all-time, all-time favorite sports league, the USFL.

I’d been itching to write something on spring’s first (and last) football league for years. It represents a wonderful chunk of my boyhood—rooting for the Generals, staring at the cool uniforms and funky helmets, pulling for it to survive, damning Donald Trump when it didn’t.

Man, I love the USFL.

Some background on the piece: I actually pitched a USFL story for years at Sports Illustrated, but with no luck. The Wall Street Journal has been having me write pretty regularly, but the stories need to focus on the New York area. When I said, “How about the 30th anniversary of the 1983 Generals, and the arrival of the league’s lord and savior, Herschel Walker?” they were all over it. I am thankful for this.

Calling the old players was a blast. It’s a distant memory for the men, but a glorious one.

As it is for me.